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Stacy Jo Scott | Curriculum Vitae

 

stacyjoscott@gmail.com

 

Education 

2012 Master of Fine Arts- Ceramics, Cranbrook Academy of Art, Bloomfield Hills, MI 

2010 Bachelor of Fine Arts- Ceramics, Summa Cum Laude, University of Oregon, Eugene, OR

 

Teaching Experience 

2017-Present  Assistant Professor & Co-Curricular Coordinator of Ceramics, University of Oregon, College of Design, School of Art & Design, Department of Art, Eugene, OR

2015-2017       Lecturer, Department of Art Practice, University of California, Berkeley, CA

2013                Visiting Faculty, Franzen Fellow for Digital Craft, Colorado State University, Fort Collins, CO 

 

Solo Exhibitions 

2023 Echo & Narcissus, AB Projects, Los Angeles, CA

2022 Manteia, Township10, Mars Hill, NC

2022 Poetics of Landness, Carnation Contemporary, Portland, OR

2021 Lo, A Vase in the Dark, Holding Contemporary, Portland, OR

2019 The Sign of the Enterer, Truckenbrod Gallery, Corvallis, OR

2018 Rise Out of the Scattered Deep, PDX Contemporary Art, Window Project, Portland, OR

2016 Rise Out of the Scattered Deep, Abrams Claghorn Gallery, Albany, CA

2013 Setting The Table, in Collaboration with Iris Eichenberg, Paul Kotula Projects, Ferndale, MI 

2012 The Hapticon of the Craft Mystery Cult, Roots & Culture Contemporary Art Center, Chicago, IL 

 

Group Exhibitions 

2022 Atlas of Lost Finds, Design Fest Gent, Gent, Belgium

2022 Poetics of Landness, Collaborative Project, Galleri Rom, Oslo, Norway, Carnation 

Contemporary, Portland, OR

2022 ​​Winter Formal: A Group Exhibition, Holding Contemporary, Portland, OR

2021 Poetics of Landness, Collaborative Project, Suero: Space for Investigation, Creation, and 

Production of Contemporary, Edition #24, Curated by Luisa Fernanda Lindo, Lima, Peru, Online 

2020 Digital Craft, Applied Contemporary, Oakland, CA

2020 Zoonautic_crystal12!, Tropical Contemporary, Eugene, OR, Online 

2020 Quartz Inversion, Curated by Janet Abrams & Adil Writer, Online

2019 A Good Way to Invent the Future, Ditch Projects, Springfield, OR

2018 Ceiling Understood, Rockelmann & Partner, Berlin, Germany

2018 Ceiling Unlimited, Thomas Hunter Project Space, New York, NY

2018 Discursive, Jordan Schnitzer Museum of Art, Eugene, OR

2017 Made in Oregon, White Box Gallery, Portland, OR

2016 An Intervention of the Senses, Pewabic Pottery, Detroit, MI

2016 Engram, Worth Ryder Gallery, Berkeley, CA

2016 Exploring the Digital Landscape, Airstream Gallery, NCECA conference, Kansas City, KS  

2015 Epic Fail, Worth Ryder Gallery, Berkeley, CA

2014 Ctrl+Print, Center for Craft Creativity and Design, Asheville, NC 

2014 The Golden Dome, Krowswork Gallery, Oakland, CA

2013 Ctrl+Print, Houston Center for Contemporary Craft, Houston, TX 

2013 Object Focus: The Bowl, Collaborative Project with Craft Mystery Cult, Museum of 

Contemporary Craft, Portland, OR

2013 Object Focus: The Bowl, Museum of Contemporary Craft, Portland, OR 

2012 Open: Cranbrook Academy Degree Exhibition, Cranbrook Art Museum, Bloomfield Hills, MI 

2011 The Craft Mystery Cult, Collaborative Project, Ox-Bow School of Art, Saugatuck, MI 

2011 After the Pedestal, The Sculpture Center, Cleveland, OH 

2011 Convergent Currents, Forum Gallery, Cranbrook Academy of Art, Bloomfield Hills, MI 

2010 One X One: Works in Edition, Dalgleish Cadillac, Detroit, MI 

2010 Chair Show, Forum Gallery, Cranbrook Academy of Art, Bloomfield Hills, MI 

2010 Blaauw Jobs, Forum Gallery, Cranbrook Academy of Art, Bloomfield Hills, MI 

2009 Tea Bowl Invitational, Gallery Up, Rock Hill, SC 

 

Performances

2020 The Sign of the Enterer, with Jovencio de la Paz, Ditch Projects, Springfield, OR

2014 The Golden Dome, Raven’s Crossing, CA

2012 The Hapticon of The Craft Mystery Cult, Cranbrook Library, Bloomfield Hills, MI

2011 Sewing the Surface of the Water, Ox-Bow School of Art, Saugatuck, MI

 

Curation

2013 New Morphologies: Studio Ceramics and Digital Practices, Schein-Joseph International Museum 

of Ceramic Art at Alfred University, Alfred, NY, (Co-Curator with Del Harrow)

 

Professional Activities

2023 Lecture, Toward Future Bodies Symposium, Gardiner Museum, Toronto, Canada

2023 Visiting Artist Lecture & Studio Visits, California State University-Long Beach, CA

2022 Lecture, State of Ceramics, AB Projects, Los Angeles, CA, Online 

2022 Lecture, The Ungraspable Body, NCECA, Sacramento, CA, Online 

2022 Poethical Reading with Valentina Desideri for Poetics of Landness, Online

2022 Artist Talk, Poetics of Landness, Oslo National Academy of the Arts (KHiO) Artistic Research 

Week, Oslo, Norway, Online

2021 Workshop, Studio Sessions: Clay and the Open Door, AB Projects, Los Angeles, CA, Online 

2021 Visiting Artist Lecture, California Institute of the Arts, Valencia, CA, Online 

2021 Artist Talk, Design Dialogues, Design Museum Ghent / Royal Academy Ghent, Belgium, 

Online 

2020 Peer Reviewer, "Digital Design and the Ceramic Process" in Technology | Architecture + Design, 

Taylor & Francis Publications

2020 Visiting Artist Lecture & Studio Visits, Student Art Alliance Lecture Series, SUNY-New Paltz, NY, 

Online

2020 Visiting Artist Lecture, School of the Art Institute of Chicago, Chicago, IL, Online 

2020 Visiting Artist Lecture, Maryland Institute College of Art, Baltimore, MD, Online 

2019 Visiting Artist Studio Visits, MFA Applied Craft & Design, Pacific Northwest College of Art, 

Portland, OR

2019 Panelist, How Objects Encode, Holding Contemporary, Portland, OR

2019 Lecturer, Panelist, On Mentorship Symposium, Cranbrook Academy of Art, Bloomfield Hills, MI

2017 Visiting Artist Lecture & Studio Visits, Oregon College of Art and Craft, Portland, OR

2017 Workshop, Tactical Talismans Ceramics Workshop, Radical Craft Jam: Day of Artistic Resistance and 

Production, University of California, Berkeley, CA

2016 Critiques, Architecture in the Age of Additive Manufacturing, College of Environmental 

Design, University of California, Berkeley, CA

2015 Visiting Artist Lecture & Critiques, Cranbrook Academy of Art, Bloomfield Hills, MI

2015 Visiting Artist Lecture & Studio Visits, College for Creative Studies, Detroit, MI

2013 Panelist, Craft and Social Practice-Open Engagement Symposium, Museum of Contemporary 

Craft, Portland, OR

2013 Critiques, Fibers Department, Oregon College of Art and Craft, Portland, OR

 

Residencies

2022 Visiting Artists and Scholars Program, American Academy in Rome, Rome, Italy 

2022 Township10, Mars Hill, NC

2021 Caldera, Gold Star Residency, Sisters, OR

2017 Studio Resident, Ox-Bow School of Art, Saugatuck, MI

2016 Summer Craft Forum @ University of Oregon, Eugene, OR

2013 Art342, Fort Collins, CO

2011 MFA Residency, Ox-Bow School of Art, Saugatuck, MI

 

Grants

2021 Summer Stipend for Humanities and Creative Arts Faculty, University of Oregon

2020-2021 Career Opportunity Grant, Oregon Arts Commission

2020-2021 Career Opportunity Grant Additional Funding, Ford Family Foundation

 

Publications 

2022 Å virke i verden – eksperimenter med jord, leire og søle, Kunsthåndverk, kunsthandverk.no

2021 Nature and Nurture: Stacy Jo Scott, Oregon Arts Watch, by Ashley Gifford

2021 Overlap and Outliers: Essays on Carnation Contemporary's Exhibitions, by Eden Redmond

2020 “Craft & Hyperobjectivity,” Center for Art Research, University of Oregon, Eugene, Oregon 

2017 SFMOMA Open Space Blog, Handicraft, by Laura Mitchell

2016 Abrams Claghorn Gallery Blog, Interview: Stacy Jo Scott, by Anna Vaughan

2015 American Craft Council Blog, Q&A, Stacy Jo Scott on Digital Technology, by Julie Hanus

2015 Ravelin Magazine, Visual Musings on The Golden Dome, by Monica Uszerowicz

2014 American Craft Magazine, Brave New World, October/November Issue, by Julie Hanus 

2013 Bad at Sports Contemporary Art Blog, Open Engagement 2013 No.3: A Utopia of Dispute Might 

Be Better / Regarding Ethics & Failure, by Caroline Picard

2013 PNCA Untitled, RVW | Object Focus: The Bowl, Engage + Use, by Teresa Fredericks

2013 Recurring Dreams—Object Focus: the Bowl, Museum of Contemporary Craft publications

2011 Bad at Sports Contemporary Art Blog, Protectors of the Handmade, Craft Mystery Cult 

Convenes in Chicago, by Sarah Margolis-Pineo

 

Publications as Author

2019 Ephemeral Material, Studio Potter, Winter issue

2018 Crafts: Today's Anthology for Tomorrow's Crafts, Editions Norma, Edited by Fabien Petiot and 

Chloe Braunstein-Kriegel 

2018 Co-author, Collaborative Innovation: Exploring the Intersections among Theater, Art and 

Business in the Classroom, Journal of Open Innovation: Technology, Market, and Complexity (Peer Reviewed)

2018 Discursive, Exhibition Publication, Jordan Schnitzer Museum of Art  

2017 Ephemeral Material: Digital Fabrication, Embodiment, and the Persistent Materiality of 

Transcendence. Presented at NCECA 2017

2016    Textile: The Journal of Cloth and Culture, Notes on Craft and Collaboration: Reflections on the 

Digital Realm as a Site for Collaboration (Peer Reviewed)

2013 New Morphologies, Studio Ceramics and Digital Practices: Exhibition Catalog

2012 On the Mystery of Here, Ox-Bow School of the Arts Online Journal, July

2010 Journal of Modern Craft, Guest Blogger, At-Home 3D Printing and the Return of a Craft Utopia

2010 Studio Potter, Crafting a Way Through Crisis, Winter Issue

 

Awards

2020 College of Arts & Sciences Dean’s Excellence Award, University of Oregon

2012 Cranbrook Academy of Art Director’s Award, Cranbrook Academy of Art

2011 Cranbrook Academy of Art Merit Scholarship, Cranbrook Academy of Art

2010 Cranbrook Academy of Art Merit Scholarship, Cranbrook Academy of Art

2009 Ellice T. Johnston Scholarship for Ceramic Arts 

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