Stacy Jo Scott
@stacy_jo_scott
Education
2012
Master of Fine Arts- Ceramics, Cranbrook Academy of Art, Bloomfield Hills, MI
2010
Bachelor of Fine Arts- Ceramics, Summa Cum Laude, University of Oregon, Eugene, OR
Teaching Experience
2017-Present
Associate Professor & Co-Area Head of Ceramics, Department of Art, University of Oregon, Eugene, OR
2015-2017
Lecturer, Department of Art Practice, University of California, Berkeley, CA
2013
Visiting Faculty, Franzen Fellow for Digital Craft, Colorado State University, Fort Collins, CO
Solo Exhibitions
2025
Writ in Water, Devening Projects, Chicago, IL
2023
Echo & Narcissus, AB Projects, Los Angeles, CA
2022
Manteia, Township10, Mars Hill, NC
Poetics of Landness, Carnation Contemporary, Portland, OR
2021
Lo, A Vase in the Dark, Holding Contemporary, Portland, OR
2019
The Sign of the Enterer, Truckenbrod Gallery, Corvallis, OR
2018
Rise Out of the Scattered Deep, PDX Contemporary Art, Window Project, Portland, OR
2016
Rise Out of the Scattered Deep, Abrams Claghorn Gallery, Albany, CA
2013
Setting The Table, in Collaboration with Iris Eichenberg, Paul Kotula Projects, Ferndale, MI
2012
The Hapticon of the Craft Mystery Cult, Roots & Culture Contemporary Art Center, Chicago, IL
Group Exhibitions
2025
Other World/s, Schneider Museum of Art, Ashland, OR
Satellite, University of Northern Colorado, Greeley, CO
2024
Roaming, CRETA gallery, Rome, Italy
Feminist Futures, Jordan Schnitzer Museum of Art, Eugene, OR
2022
Atlas of Lost Finds, Design Fest Gent, Gent, Belgium
Poetics of Landness, Collaborative Project, Galleri Rom, Oslo, Norway, Carnation Contemporary, Portland, OR
Winter Formal: A Group Exhibition, Holding Contemporary, Portland, OR
2021
Poetics of Landness, Collaborative Project, Suero: Space for Investigation, Creation, and
Production of Contemporary, Edition #24, Curated by Luisa Fernanda Lindo, Lima, Peru
2020
Digital Craft, Applied Contemporary, Oakland, CA
Zoonautic_crystal12!, Tropical Contemporary, Eugene, OR
Quartz Inversion, Curated by Janet Abrams & Adil Writer, Online
2019
A Good Way to Invent the Future, Ditch Projects, Springfield, OR
2018
Ceiling Understood, Rockelmann & Partner, Berlin, Germany
Ceiling Unlimited, Thomas Hunter Project Space, New York, NY
Discursive, Jordan Schnitzer Museum of Art, Eugene, OR
2017
Made in Oregon, White Box Gallery, Portland, OR
2016
An Intervention of the Senses, Pewabic Pottery, Detroit, MI
Engram, Worth Ryder Gallery, Berkeley, CA
Exploring the Digital Landscape, Airstream Gallery, NCECA conference, Kansas City, KS
2015
Epic Fail, Worth Ryder Gallery, Berkeley, CA
2014
Ctrl+Print, Center for Craft Creativity and Design, Asheville, NC
The Golden Dome, Krowswork Gallery, Oakland, CA
2013
Ctrl+Print, Houston Center for Contemporary Craft, Houston, TX
Object Focus: The Bowl, Collaborative Project with Craft Mystery Cult, Museum of Contemporary Craft, Portland, OR
Object Focus: The Bowl, Museum of Contemporary Craft, Portland, OR
2012
Open: Cranbrook Academy Degree Exhibition, Cranbrook Art Museum, Bloomfield Hills, MI
2011
The Craft Mystery Cult, Collaborative Project, Ox-Bow School of Art, Saugatuck, MI
After the Pedestal, The Sculpture Center, Cleveland, OH
Convergent Currents, Forum Gallery, Cranbrook Academy of Art, Bloomfield Hills, MI
2010
One X One: Works in Edition, Dalgleish Cadillac, Detroit, MI
Chair Show, Forum Gallery, Cranbrook Academy of Art, Bloomfield Hills, MI
Blaauw Jobs, Forum Gallery, Cranbrook Academy of Art, Bloomfield Hills, MI
2009
Tea Bowl Invitational, Gallery Up, Rock Hill, SC
Performances
2020
The Sign of the Enterer, with Jovencio de la Paz, Ditch Projects, Springfield, OR
2014
The Golden Dome, Raven’s Crossing, CA
2012
The Hapticon of The Craft Mystery Cult, Cranbrook Library, Bloomfield Hills, MI
2011
Sewing the Surface of the Water, Ox-Bow School of Art, Saugatuck, MI
Curation
2013
New Morphologies: Studio Ceramics and Digital Practices, Schein-Joseph International Museum of Ceramic Art at Alfred University, Alfred, NY, (Co-Curator with Del Harrow)
Professional Activities
2025
Visiting Artist Lecture & Studio Visits, School of the Art Institute of Chicago, Chicago, IL
2024
Resident Artist, CRETA, Rome, Italy
Resident Artist, Watershed Center for the Ceramic Arts, Edgecomb, ME
2023
Lecture, Toward Future Bodies Symposium, Gardiner Museum, Toronto, Canada
Visiting Artist Lecture & Studio Visits, California State University-Long Beach, CA
2022
Lecture, State of Ceramics, AB Projects, Los Angeles, CA
Lecture, The Ungraspable Body, NCECA, Sacramento, CA
Poethical Reading with Valentina Desideri for Poetics of Landness, Online
2022
Artist Talk, Poetics of Landness, Oslo National Academy of the Arts (KHiO) Artistic Research Week, Oslo, Norway
2021
Workshop, Studio Sessions: Clay and the Open Door, AB Projects, Los Angeles, CA
Visiting Artist Lecture, California Institute of the Arts, Valencia, CA
Artist Talk, Design Dialogues, Design Museum Ghent / Royal Academy Ghent, Belgium
2020
Peer Reviewer, "Digital Design and the Ceramic Process" in Technology | Architecture + Design, Taylor & Francis Publications
Visiting Artist Lecture & Studio Visits, Student Art Alliance Lecture Series, SUNY-New Paltz, NY
Visiting Artist Lecture, School of the Art Institute of Chicago, Chicago, IL
Visiting Artist Lecture, Maryland Institute College of Art, Baltimore, MD
2019
Visiting Artist Studio Visits, MFA Applied Craft & Design, Pacific Northwest College of Art, Portland, OR
Panelist, How Objects Encode, Holding Contemporary, Portland, OR
Lecturer, Panelist, On Mentorship Symposium, Cranbrook Academy of Art, Bloomfield Hills, MI
2017
Visiting Artist Lecture & Studio Visits, Oregon College of Art and Craft, Portland, OR
Workshop, Tactical Talismans Ceramics Workshop, Radical Craft Jam: Day of Artistic Resistance and Production, University of California, Berkeley, CA
2016
Critiques, Architecture in the Age of Additive Manufacturing, College of Environmental Design, University of California, Berkeley, CA
2015
Visiting Artist Lecture & Critiques, Cranbrook Academy of Art, Bloomfield Hills, MI
Visiting Artist Lecture & Studio Visits, College for Creative Studies, Detroit, MI
2013
Panelist, Craft and Social Practice-Open Engagement Symposium, Museum of Contemporary Craft, Portland, OR
Critiques, Fibers Department, Oregon College of Art and Craft, Portland, OR
Residencies
2022
Visiting Artists and Scholars Program, American Academy in Rome, Rome, Italy
Township10, Mars Hill, NC
2021
Caldera, Gold Star Residency, Sisters, OR
2017
Studio Resident, Ox-Bow School of Art, Saugatuck, MI
2016
Summer Craft Forum @ University of Oregon, Eugene, OR
2013
Art342, Fort Collins, CO
2011
MFA Residency, Ox-Bow School of Art, Saugatuck, MI
Grants
2021
Summer Stipend for Humanities and Creative Arts Faculty, University of Oregon
2020
Career Opportunity Grant, Oregon Arts Commission
Career Opportunity Grant Additional Funding, Ford Family Foundation
Press
2022
Å virke i verden – eksperimenter med jord, leire og søle, Kunsthåndverk, kunsthandverk.no
2021
Nature and Nurture: Stacy Jo Scott, Oregon Arts Watch, by Ashley Gifford
Overlap and Outliers: Essays on Carnation Contemporary's Exhibitions, by Eden Redmond
2020
“Craft & Hyperobjectivity,” Center for Art Research, University of Oregon, Eugene, Oregon
2017
SFMOMA Open Space Blog, Handicraft, by Laura Mitchell
2016
Abrams Claghorn Gallery Blog, Interview: Stacy Jo Scott, by Anna Vaughan
2015
American Craft Council Blog, Q&A, Stacy Jo Scott on Digital Technology, by Julie Hanus
Ravelin Magazine, Visual Musings on The Golden Dome, by Monica Uszerowicz
2014
American Craft Magazine, Brave New World, October/November Issue, by Julie Hanus
2013
Bad at Sports Contemporary Art Blog, Open Engagement 2013 No.3: A Utopia of Dispute Might
Be Better / Regarding Ethics & Failure, by Caroline Picard
2013
PNCA Untitled, RVW | Object Focus: The Bowl, Engage + Use, by Teresa Fredericks
Recurring Dreams—Object Focus: the Bowl, Museum of Contemporary Craft publications
2011
Bad at Sports Contemporary Art Blog, Protectors of the Handmade, Craft Mystery Cult Convenes in Chicago, by Sarah Margolis-Pineo
Publications as Author
2019
Ephemeral Material, Studio Potter, Winter issue
2018
Crafts: Today's Anthology for Tomorrow's Crafts, Editions Norma, Edited by Fabien Petiot and Chloe Braunstein-Kriegel
Co-author, Collaborative Innovation: Exploring the Intersections among Theater, Art and Business in the Classroom, Journal of Open Innovation: Technology, Market, and Complexity (Peer Reviewed)
Discursive, Exhibition Publication, Jordan Schnitzer Museum of Art
2017
Ephemeral Material: Digital Fabrication, Embodiment, and the Persistent Materiality of Transcendence. Presented at NCECA
2016
Textile: The Journal of Cloth and Culture, Notes on Craft and Collaboration: Reflections on the Digital Realm as a Site for Collaboration (Peer Reviewed)
2013
New Morphologies, Studio Ceramics and Digital Practices: Exhibition Catalog
2012
On the Mystery of Here, Ox-Bow School of the Arts Online Journal, July
2010
Journal of Modern Craft, Guest Blogger, At-Home 3D Printing and the Return of a Craft Utopia
Studio Potter, Crafting a Way Through Crisis, Winter Issue
Awards
2020
College of Arts & Sciences Dean’s Excellence Award, University of Oregon
2012
Cranbrook Academy of Art Director’s Award, Cranbrook Academy of Art
2011
Cranbrook Academy of Art Merit Scholarship, Cranbrook Academy of Art
2010
Cranbrook Academy of Art Merit Scholarship, Cranbrook Academy of Art
2009
Ellice T. Johnston Scholarship for Ceramic Arts