Stacy Jo Scott works to disrupt the presumed binary of the tangible materiality of clay and the intangible machinic code of emergent digital technologies. Their research explores the possibilities of using digital processes of material fabrication—such as custom generative software tools and unorthodox 3D printing techniques—to convey an unsettled history, eliciting a sense of poetic speculation and queer futurity.

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Stacy Jo Scott’s artwork has been exhibited nationally and internationally including at Devening Projects, Chicago, IL; The Schneider Museum of Art, Ashland, OR; AB Projects, Los Angeles, CA; The Center for Craft Creativity and Design, Asheville, NC; Houston Center for Contemporary Craft, Houston, TX; Museum of Contemporary Craft, Portland, OR; Holding Contemporary, Portland, OR; Galleri ROM, Oslo, Norway; Design Fest, Gent, Belgium; CRETA Gallery, Rome, Italy; Pewabic Pottery, Detroit, MI; Paul Kotula Projects, Ferndale, MI; Roots & Culture Contemporary Art Center, Chicago, IL. She co-curated the groundbreaking exhibition on Digital Ceramics: New Morphologies: Studio Ceramics and Digital Practices at the Schein-Joseph International Museum of Ceramic Art at Alfred University in Alfred, NY and was a Franzen Teaching Fellow for Digital Craft at Colorado State University in Fort Collins, CO. Her writing has been published in numerous publications online and in books and periodicals. Publications include Bad at Sports, The Studio Potter, and Crafts: Today’s Anthology for Tomorrow’s Crafts. She has participated in various residencies including the Visiting Artists and Scholars Program at the American Academy in Rome, Italy. She received her MFA from Cranbrook Academy of Art, and was previously a Franzen Fellow for Digital Craft at Colorado State University, a Lecturer at the University of California, Berkeley, and she is currently an Associate Professor and Co-Head of Ceramics at the University of Oregon, Eugene.